Scape Plans—a title that plays on the double meaning of the Portuguese word “Fuga”—does not refer to escape in the sense of abandonment or departure, but rather as a transition into another spatial or perceptual dimension. 

The series is composed of large-scale drawings made with deep black Indian ink on heavy paper, where dark, expansive shapes suggest portals, windows, or thresholds. These abstract forms do not immediately reveal what lies beyond them. Instead, they remain deliberately opaque, quietly beckoning the viewer toward something undefined—something just out of reach. Rather than offering answers, these works pose a silent question: What do you see? What do you expect to find? Each drawing invites the observer to engage through personal memory, imagination, or sheer sensory intuition. 

The ambiguity of the forms allows for multiple readings—one may interpret them as spaces of possibility, fragments of a forgotten architecture, or emotional landscapes in flux. But the invitation is open-ended: contemplation is as valid as projection, and stillness is as meaningful as action.