Add consists of two large polyptychs composed of multiple modular drawings, each created with Indian ink on cotton paper and unified by their equal dimensions. The project investigates the notion of accumulation through repetition and variation in drawing, playing with the tension between filled and unfilled space. This contrast becomes a visual rhythm, where density and absence create a dialogue that shifts across the surface of the work.

Beyond its formal construction, Add also engages with symmetry and reflection. Some of the forms appear to mirror each other, creating a sense of balance, while others seem to edge toward confrontation, suspended at the brink of collision. This tension—between harmony and disruption, repetition and deviation—imbues the work with a quiet dynamism. It is a study of relationships, where structure and spontaneity coexist within the framework of a unified visual language.