The oil paintings produced between 2013 and 2014, as well as those from 2015 to 2016, aimed to push the spatial possibilities of landscape and everyday object representation to their limits. Through a process of deliberate fictional simplification, the works often verge on abstraction—where the recognizable gives way to suggestion. In this approach, color plays a central role, not only as a chromatic element but as a manifestation of materiality and volume, helping to construct a unique and unstable pictorial space.

These paintings establish a quiet dialogue among themselves, set within a temporal dimension that resists naming or categorization. This sense of timelessness is intensified by the almost unreal relationship between the depicted elements and the large, immersive fields of color that surround them. By dissolving rigid visual hierarchies and proposing an ambiguous coexistence of form, color, and space, the works invite a contemplative experience—one that subtly challenges conventional perceptions of reality.