As in the Materialismos series, this project continues the practice of drawing directly over photographs sourced from printed material—in this case, images taken from a book. However, these particular images are thematically unified: each depicts staged home interiors, such as bedrooms and living rooms, carefully composed to reflect ideals of comfort, taste, and "better living." Through the addition of black ink interventions, the project disrupts the polished surface of these spaces. The drawings act as invented memories—temporal residues that hint at lived experience while remaining fictive. By introducing this layer, the work challenges the original function and aesthetic of the images, subverting their visual order and revealing underlying tensions. The result is a transformation of the decorative into the uncanny, where interior design becomes a stage for emotional and spatial reimaginings. Emptiness gives way to presence; curated comfort becomes a site for speculative memory.